The Work Of The Poetry Is To Name What Is Holy -- Diane Ackerman

The work of the poet

is to name what is holy:

the spring snow

that hides unevenness

but also records

a dog walked at lunchtime,

the hieroglyphs of birds,

pawprints of a life

tiny but resolute;

how, like Russian dolls,

we nest in previous selves;

the lustrous itch

that compels an oyster

to forge a pearl,

or a poet a verse;

the drawing on of evening

belted at the waist;

snowfields of diamond dust;

the cozy monotony

of our days, in which

love appears with a holler;

the way a man's body

has its own geography––

cliffs, aqueducts, pumice fields,

but a woman's is the jungle,

hot, steamy, full of song;

the brain's curiosity shop

filled with quaint mementos

and shadow antiques

hidden away in drawers;

the plain geometry

of you, me, and art––

our angles at rest

among shifting forms.

The work of the poet

is to name what is holy,

and not to mind so much

the pinch of words

to cope with memories

weak as falling buildings,

or render loss, love,

and the penitentiary

of worry where we live.

The work of the poet

is to name what is holy,

a task fit for eternity,

or the small Eden of this hour.

Finding What You Didn't Lose -- John Fox

When someone deeply listens to you
it is like holding out a dented cup
you've had since childhood
and watching it fill up with
cold, fresh water.
When it balances on top of the brim,
you are understood.
When it overflows and touches your skin,
you are loved.
When someone deeply listens to you,
the room where you stay
starts a new life
and the place where you wrote
your first poem
begins to glow in your mind's eye.
It is as if gold has been discovered!
When someone deeply listens to you,
your bare feet are on the earth
and a beloved land that seemed distant
is now at home within you.

On Discovering A bUTTERFLY -- Vladimir Nabokov

I found it and I named it, being versed
in taxonomic Latin; thus became
godfather to an insect and its first
describer - and I want no other fame.

Wide open on its pin (though fast asleep),
and safe from creeping relatives and rust,
in the secluded stronghold where we keep
type specimens it will transcend its dust.

Dark pictures, thrones, the stones that pilgrims kiss,
poems that take a thousand years to die
but ape the immortality of this
red label on a little butterfly.

The Mystery - Molly Fisk

What I love most
is the way you turn your head
toward what you hear,
cocking it slightly down,
looking up under your lashes.
That quality of attention
is what I love, the moment
when you forget yourself,
place your own thoughts
aside, deliberately
and immediately, and let in
the other, the mystery,
whatever it is: a goldfinch
in early morning, singing;
somebody's single engine plane
sounding its notes unseen
behind a windbreak of cedars;
the soft plush of air that lifts
a pair of dragonflies
wheeling past your tea cup,
quivering bluer than water or sky.
Your ear is tuned to the world
and its tenuous frequencies,
nothing is too fragile for you,
nothing too worn. Even my lips,
chapped with winter: when they open
you dip your head to listen.

DEFENDING WALT WHITMAN - Sherman Alexie

Basketball is like this for young Indian boys, all arms and legs
and serious stomach muscles. Every body is brown!
These are the twentieth-century warriors who will never kill,
although a few sat quietly in the deserts of Kuwait,
waiting for orders to do something, to do something.
God, there is nothing as beautiful as a jumpshot
on a reservation summer basketball court
where the ball is moist with sweat,
and makes a sound when it swishes through the net
that causes Walt Whitman to weep because it is so perfect.
There are veterans of foreign wars here
although their bodies are still dominated
by collarbones and knees, although their bodies still respond
in the ways that bodies are supposed to respond when we are young.
Every body is brown! Look there, that boy can run
up and down this court forever. He can leap for a rebound
with his back arched like a salmon, all meat and bone
synchronized, magnetic, as if the court were a river,
as if the rim were a dam, as if the air were a ladder
leading the Indian boy toward home.
Some of the Indian boys still wear their military hair cuts
while a few have let their hair grow back.
It will never be the same as it was before!
One Indian boy has never cut his hair, not once, and he braids it
into wild patterns that do not measure anything.
He is just a boy with too much time on his hands.
Look at him. He wants to play this game in bare feet.
God, the sun is so bright! There is no place like this.
Walt Whitman stretches his calf muscles
on the sidelines. He has the next game.
His huge beard is ridiculous on the reservation.
Some body throws a crazy pass and Walt Whitman catches it
with quick hands. He brings the ball close to his nose
and breathes in all of its smells: leather, brown skin, sweat,
black hair, burning oil, twisted ankle, long drink of warm water,
gunpowder, pine tree. Walt Whitman squeezes the ball tightly.
He wants to run. He hardly has the patience to wait for his turn.
"What's the score?" he asks. He asks, "What's the score?"
Basketball is like this for Walt Whitman. He watches these Indian boys
as if they were the last bodies on earth. Every body is brown!
Walt Whitman shakes because he believes in God.
Walt Whitman dreams of the Indian boy who will defend him,
trapping him in the corner, all flailing arms and legs
and legendary stomach muscles. Walt Whitman shakes
because he believes in God. Walt Whitman dreams
of the first jumpshot he will take, the ball arcing clumsily
from his fingers, striking the rim so hard that it sparks.
Walt Whitman shakes because he believes in God.
Walt Whitman closes his eyes. He is a small man and his beard
is ludicrous on the reservation, absolutely insane.
His beard makes the Indian boys righteously laugh. His beard
frightens the smallest Indian boys. His beard tickles the skin
of the Indian boys who dribble past him. His beard, his beard!
God, there is beauty in every body. Walt Whitman stands
at center court while the Indian boys run from basket to basket.
Walt Whitman cannot tell the difference between
offense and defense. He does not care if he touches the ball.
Half of the Indian boys wear t-shirts damp with sweat
and the other half are bareback, skin slick and shiny.
There is no place like this. Walt Whitman smiles.
Walt Whitman shakes. This game belongs to him.

Nostalgia -- Billy Collins

Remember the 1340's? We were doing a dance called the Catapult.
You always wore brown, the color craze of the decade,
and I was draped in one of those capes that were popular,
the ones with unicorns and pomegranates in needlework.
Everyone would pause for beer and onions in the afternoon,
and at night we would play a game called "Find the Cow."
Everything was hand-lettered then, not like today.
Where has the summer of 1572 gone? Brocade and sonnet
marathons were the rage. We used to dress up in the flags
of rival baronies and conquer one another in cold rooms of stone.
Out on the dance floor we were all doing the Struggle
while your sister practiced the Daphne all alone in her room.
We borrowed the jargon of farriers for our slang.
These days language seems transparent a badly broken code.
The 1790's will never come again. Childhood was big.
People would take walks to the very tops of hills
and write down what they saw in their journals without speaking.
Our collars were high and our hats were extremely soft.
We would surprise each other with alphabets made of twigs.
It was a wonderful time to be alive, or even dead.
I am very fond of the period between 1815 and 1821.
Europe trembled while we sat still for our portraits.
And I would love to return to 1901 if only for a moment,
time enough to wind up a music box and do a few dance steps,
or shoot me back to 1922 or 1941, or at least let me
recapture the serenity of last month when we picked
berries and glided through afternoons in a canoe.
Even this morning would be an improvement over the present.
I was in the garden then, surrounded by the hum of bees
and the Latin names of flowers, watching the early light
flash off the slanted windows of the greenhouse
and silver the limbs on the rows of dark hemlocks.
As usual, I was thinking about the moments of the past,
letting my memory rush over them like water
rushing over the stones on the bottom of a stream.
I was even thinking a little about the future, that place
where people are doing a dance we cannot imagine,
a dance whose name we can only guess.

The Prayer of St. Francis of Assisi

Lord, make me an instrument of your peace.
Where there is hatred, let me sow love,
where there is injury, pardon,
where there is doubt, faith,
where there is despair, hope,
where there is darkness, light,
where there is sadness, joy.

O Divine Master,
grant that I may not so much seek
to be consoled, as to console,
to be understood, as to understand,
to be loved, as to love.

For it is in giving , that we receive,
in pardoning, that we are pardoned,
in dying, that we are born into eternal life.

Another Reason Why I Don't Keep A Gun In The House - Billy Collins

The neighbors' dog will not stop barking.
He is barking the same high, rhythmic bark
that he barks every time they leave the house.
They must switch him on on their way out.
The neighbors' dog will not stop barking.
I close all the windows in the house
and put on a Beethoven symphony full blast
but I can still hear him muffled under the music,
barking, barking, barking,
and now I can see him sitting in the orchestra,
his head raised confidently as if Beethoven
had included a part for barking dog.
When the record finally ends he is still barking,
sitting there in the oboe section barking,
his eyes fixed on the conductor who is
entreating him with his baton
while the other musicians listen in respectful
silence to the famous barking dog solo,
that endless coda that first established
Beethoven as an innovative genius.

Some Things The World Gave -- Mary Oliver

1
Times in the morning early
when it rained and the long gray
buildings came forward from darkness
offering their windows for light.

2
Evenings out there on the plains
when sunset donated farms
that yearned so far to the west that the world
centered there and bowed down.

3
A teacher at a country school
walking home past a great marsh
where ducks came gliding in --
she saw the boy out hunting and waved.

4
Silence on a hill where the path ended
and then the forest below
moving in one long whisper
as evening touched the leaves.

5
Shelter in winter that day --
a storm coming, but in the lee
of an island in a cover with friends --
oh, little bright cup of sun.

We Are Made One with What We Touch and See -- Oscar Wilde

We are resolved into the supreme air,
We are made one with what we touch and see,
With our heart's blood each crimson sun is fair,
With our young lives each springimpassioned tree
Flames into green, the wildest beasts that range
The moor our kinsmen are, all life is one, and all is change.

With beat of systole and of diastole
One grand great life throbs through earth's giant heart,
And mighty waves of single Being roll
From nerveless germ to man, for we are part
Of every rock and bird and beast and hill,
One with the things that prey on us, and one with what we kill

One sacrament are consecrate, the earth
Not we alone hath passions hymeneal,
The yellow buttercups that shake for mirth
At daybreak know a pleasure not less real
Than we do, when in some freshblossoming wood
We draw the spring into our hearts, and feel that life is good

Is the light vanished from our golden sun,
Or is this daedalfashioned earth less fair,
That we are nature's heritors, and one
With every pulse of life that beats the air?
Rather new suns across the sky shall pass,
New splendour come unto the flower, new glory to the grass.

And we two lovers shall not sit afar,
Critics of nature, but the joyous sea
Shall be our raiment, and the bearded star
Shoot arrows at our pleasure! We shall be
Part of the mighty universal whole,
And through all Aeons mix and mingle with the Kosmic Soul!.

We shall be notes in that great Symphony
Whose cadence circles through the rhythmic spheres,
And all the live World's throbbing heart shall be
One with our heart, the stealthy creeping years
Have lost their terrors now, we shall not die,
The Universe itself shall be our Immortality!